I haven’t really participated properly in #SciFiMonth this year, but here’s a round up of the science fiction and speculative fiction that I did read in November!
Megan Giddings’ debut novel Lakewood unites horror and speculative fiction in the story of Lena, a young black woman living in Michigan who drops out of college to participate in a secret medical testing programme to pay her mother’s medical bills after her grandmother dies. It soon becomes apparent that things at Lakewood, the location of the programme, are not right, but Lena can’t see another way forward – she’s gripped by the inertia that results from living in a system where both healthcare and education aren’t treated as universal rights, and black lives are viewed as less valuable. Despite the importance of Giddings’ message, however, and her deft use of some horror tropes, Lakewood didn’t function successfully as fiction for me. Like Mary South’s recent collection of short stories, You Will Never Be Forgotten, I found it both too surreal and too obvious. Especially in its final third, Lakewood becomes hallucinatory in a way that I found frustrating, but at the same time, we’re told exactly what we should take away from this book, with Lena namechecking infamous historical medical experiments on black people such as Tuskagee.
I’m late to the party with Octavia E. Butler’s science fiction classic Kindred, but I’m so glad I got there in the end. Kindred follows a black female writer, Dana, who is unexpectedly thrown back in time to antebellum Maryland, where she’s called upon to save the life of a drowning white boy. As she continues to jump back and forth through time, she realises that this boy is her ancestor, and that he will grow up to become a slaveowner in his own right – and that their fates seem to have become linked. This novel is more of a time-slip than a time travel narrative. Butler is uninterested in the metaphysical questions that get raised in a lot of time travel fiction, preferring instead to reckon with issues of historical relativism, culpability and empathy. I was struck by how naturally the story is told, although this isn’t the first time I’ve been impressed by how (American) science fiction writers from the 1970s and 1980s seem almost to speak from the page. Butler makes her set-up feel completely real through the very simple device of having her characters ask the right questions, allowing her to demonstrate that their actions and reactions make sense, and the novel is both emotionally engaging and incredibly thought-provoking. I’m definitely a Butler convert.
I also read two anthologies of science fiction and speculative fiction this month, Escape Pod, edited by Mur Lafferty and SB Divya, and New Suns, edited by Nisi Shawl. Escape Pod was drawn from the Escape Pod podcast to celebrate its fifteenth anniversary. As with all anthologies, there were some stories that worked for me better than others. I was disappointed to find a cluster of stories that, like Lakewood, committed the common SF error of introducing really promising concepts, but then spelling out the message of the story so clearly near the end that it ceased to be interesting. This was the case with Kameron Hurley’s ‘Citizens of Elsewhen’, Beth Cato’s ‘A Consideration of Trees’ and Tobias S. Buckell’s ‘The Machine that Would Rewild Humanity’, among others. However, in contrast to other SF collections I’ve read, this anthology was really strong on stories that were thoughtful and funny, or at least more light-hearted. I loved T. Kingfisher’s ‘Report of Dr. Hollowmas on the Incident at Jackrabbit Five’, Mary Robinette Kowal’s ‘Jaiden’s Weaver’, John Scalzi’s ‘Alien Animal Encounters’ and Cory Doctorow’s ‘Clockwork Fagin’. I’d already read NK Jemisin’s ‘Give Me Cornbread or Give Me Death’, in another collection, A People’s Future of the United States, but it’s a great story that’s worth revisiting. Overall, this anthology definitely picked up in its second half, and introduced me to a number of writers I hadn’t heard of before.
I received a free proof copy of Escape Pod from the publisher for review.
Nisi Shawl’s edited collection of speculative fiction by writers of colour, New Suns, has been on my radar for a while, and while, as I say, anthologies are always a mixed bag, this is an exceptionally strong selection. (It’s made me even keener to check out Shawl’s own work, as they clearly have good taste). There were only a couple of stories that didn’t work for me at all; Jaymee Goh’s ‘The Freedom of the Shifting Sea’ had a lot of pretty gratuitous body horror, which is not my thing; E. Lily Yu’s ‘Three Variations on A Theme of Imperial Attire’ not only had the kind of title that sends up red flags for me, but was awkwardly meta; and Karin Lowachee’s ‘Blood and Bells’ was a cliched Romeo-and-Juliet gang narrative, albeit set in another world. Having said that, I basically liked everything else in New Suns; even Hiromi Goto’s ‘One Easy Trick’, which became too silly for me by the end as a woman chases her own bellyfat through a forest and encounters a talking bear, had such an arresting and memorable opening that I can’t write it off. My favourite stories were mostly on the creepy side: Alex Jennings’s ‘unkind of mercy’ mixes a terrifying premise with an incredibly authentic, inattentive narrative voice to great effect; Silvia Moreno-Garcia’s very short ‘Give Me Your Black Wings Oh Sister’ taps into the fear of having done something terrible in childhood which we can’t remember, and which still sets us apart from everybody else; and Indrapramit Das’s ‘The Shadow We Cast Through Time’ sets up a haunting world on another planet governed by hagtrees and kalform demons. However, I also loved Minsoo Kang’s ‘The Virtue of Unfaithful Translations’, a lighter story about how two translators team up to stop a war that reminded me of some of the more stylised stories in Ken Liu’s edited collection of Chinese science fiction, Broken Stars, although Kang is Korean. A brilliant anthology.