Kevin Nguyen’s debut New Waves was one of my most anticipated new releases of 2020, and it didn’t disappoint, even though the novel I read turned out to be a very different novel from the one the blurb led me to expect. New Waves was billed as fast-paced and satirical, featuring a black woman, Margo, and a Vietnamese man, Lucas, who team up to steal their New York tech start-up’s user database after being ignored and underpaid by the company for too long. While that’s certainly where the story starts, this hook doesn’t have much to do with where it goes after that. Nevertheless, as it turned out, New Waves fits right into a sub-genre that I’ve only just realised I love: literary fiction about fascinatingly opaque characters whom we learn about solely through the viewpoints of their friends and the technological or artistic remnants they leave behind (see also: Anna North’s The Life and Death of Sophie Stark and Nell Freudenberger’s Lost and Wanted). Which is to say that this novel is all about Margo, tech genius and science fiction short story writer, even though she dies in a random accident in its first few pages. Grieving the loss of his best friend, Lucas hunts through her laptop, and while he doesn’t exactly come across revelations that overturn everything he knows about Margo, he definitely finds things that switch that knowledge onto new tracks. New Waves is so smart about race and gender, but it also has a lot to say about how both people and programmes tend to add up data in a way that makes sense to them. Margo’s short stories are nihilistic, refusing to organise themselves in any way that allows a happy ending, but her actual presence in Lucas’s life was relentlessly optimistic. Because we never hear from her directly (other than in the typed and spoken material she left behind, which is more about her fiction than about her), we are left to make up our own minds about a lot of loose ends. What kind of person was she deep down? What did she really think about Lucas? This novel will probably drive some readers to distraction, but I loved it.
Francis Pryor is an archaeologist who specialises in the study of the British Bronze and Iron Ages. The Fens: Discovering England’s Ancient Depths traces the history of this particular English region from prehistoric times to the present day, interspersing Pryor’s personal experiences on particular digs and his memories of living in the fenland with an archaeologist’s view of how and why the fens have developed and changed. Unsurprisingly, given Pryor’s area of specialism, which I wasn’t aware of when I picked up this book, the bulk of the material is prehistoric; the medieval fens, which is the period I’m personally most interested in, barely get a look in, and what he does say about medieval power relationships is pretty simplistic from a historian’s point of view. Pryor is, when it comes down to it, more interested in the evolution of technologies, buildings and settlements than in social and political history, and fair enough if that’s your kind of thing. However, I did feel this would struggle to appeal beyond a relatively narrow audience. It’s very long, goes off on a lot of tangents, and Pryor’s writing is clear but no more than that. Certainly, the autobiographical elements of this book don’t add very much, although it promises to discuss a more emotional relationship with landscape. If you’ve lived in the fens, there will be something to interest you here, but it might not be enough to engage you for the whole 400+ pages; I read the first four chapters and then skipped to the chapters that particularly appealed to me.
I’ve made a second and final substitution in my 20 Books of Summer; unfortunately, my NetGalley copy of Gina Rippon’s The Gendered Brain was so badly formatted it was unreadable (not the first time), so I’ve subbed in Xuan Juliana Wang’s collection of short stories Home Remedies, which was on my list of books to read in 2020.
I loved The Life and Death of Sophie Stark — a very underrated novel (and I’m looking forward to North’s new one coming out next year, a feminist Western!). Kitchens of the Great Midwest by J. Ryan Stradal is another novel that builds up a picture of an enigmatic character through others’ observations. I’m not sure if New Waves would be too sci-fi for me, though your write-up is appealing…
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Ooh I’m so excited about the feminist Western! I’ve just looked it up. I’ll check out the Stradal as well.
The bulk of New Waves is entirely set in the real world. There’s a lot about tech but it’s the kind of tech that exists today. A few of Margo’s SF short stories are included in the narrative, but they are very brief.
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I think I could probably cope with that 🙂
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I’ve had my eye on New Waves for a while, so I’m very glad to hear it didn’t disappoint!
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I’d love to hear your thoughts! I haven’t seen anyone else writing about it and I think it would be a great one to discuss 🙂
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I’ll hopefully get hold of a copy soon! 😊
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New Waves has been on my radar—I wasn’t sure whether to pick it up, but your review has convinced me! And I feel I would gravitate to ‘literary fiction about fascinatingly opaque characters’ as well. I’m glad you ended up enjoying it!
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Characters are just so much more interesting when we hear about them via other characters rather than getting inside their heads 🙂 I hope you enjoy it!
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New Waves sounds great – so cĺose to the full 20 now!
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Almost there! How are you doing?
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I’ve read all twenty! Just two reviews and I’m done. Feeling quite pleases with myself 😏
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Fantastic, congratulations!
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I love that sub-genre – very niche but you obviously find books within it! And well done for being almost there. I’m on Book 18 at the moment; Book 20 I thought was an omnibus of short novels but is actually a collection of short stories, but I’m reasonably confident I’ll get done.
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So close! I’m reading books #19 and #20.
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Ooh!
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