I was back at Durham Book Festival this Saturday, this time in the beautiful surroundings of St Chad’s college chapel, to take in two more literary events. First, I attended a Northern Showcase with fiction writers Naomi Booth and Sunjeev Sahota – both have recently become assistant professors of creative writing at Durham University, which is broadening its traditional remit by now offering an MA in Creative Writing.
I haven’t yet read anything by Booth, but I was compelled by the two readings she gave from her most recent novel, Sealed, which is set in an analog of the Blue Mountains, near Sydney, where a pandemic disease is affecting people’s skin, causing it to seal over any openings in their bodies. (She also spoke about her debut novella, The Lost Art of Sinking, which emerged from her academic research on fainting in literature and explores the story of a woman who wants to keep passing out.) As with Louise Doughty’s talk, writing horror was a prominent theme in the conversation – Booth explained that she finds writing a productive way to work out the things that bother her anyway. She quoted the US writer Eula Biss, saying that the central question of citizenship and motherhood is ‘what we do with our fear’, and that she was interested in exploring what Timothy Morton calls ‘dark ecology’ and how we are enmeshed with the natural world. She sees the novel as a work of ‘eco-horror’ that she hopes will get across the message that environmental contamination doesn’t just happen ‘out there’ but also in our own bodies, citing the work of Australian writer Rebecca Giggs.
In contrast, Sahota’s The Year of the Runaways was one of my favourite books of 2016, so it was delightful to return to the novel and to hear Sahota discuss it, along with his debut, Ours Are the Streets, which I still haven’t read. My review of the novel is here.
The final event I attended at the festival was a reading by the festival laureate, poet Raymond Antrobus. My friend suggested attending this event and I wasn’t familiar with Antrobus’s work before, so it was great to hear him read from his recent collection, The Perseverance, which won the Ted Hughes prize, as well as some more recent poems. As a deaf poet, Antrobus writes a lot about hearing and deafness, and the first poem in this collection, ‘Echo’, explores this theme in relation to the Sagrada Familia in Barcelona – he spoke about finding out that Gaudi saw cathedrals as containers for holy sound, a place to experience sound as angels would, and how he wasn’t sure if he could be included in this. He also talked about using BSL in his collection, and how different signs have had different meanings to BSL-fluent readers. Two poems on, respectively, teaching poetry in men’s prisons and on the shooting of a deaf man, Daniel Harris, by US police were especially powerful. Antrobus’s relationship with his dad, who recently died, is also a key theme of this collection, and he talked about being read to by his dad as a child and misunderstanding how to say his own name, because he could only hear half of it.